Introduction to
Relief Print Making
with Joel Feldman
4 Thursdays in November
4 Weeks - 6th to 27th November - 7pm to 9pm
€30 for a 4 Week Course
Workshop Overview
Relief printmaking is one of the oldest forms of printing, which developed originally to produce multiple images quickly and inexpensively. Not surprisingly, some of the earliest prints produced were playing cards, devotional images, illustrations of newsworthy events, and paper currency. On the most basic level, this technique involves cutting or removing material from the surface of a plate, such as a plank of wood, a linoleum block, or any other material that can be cut into, to create lines or shapes. When ink is applied to the finished plate, the gauged, scratched, or cut areas remain free of ink (white), while the remaining surface is printed in color. The oldest woodcut prints were black and white, but the technique quickly evolved to produce multi-color images. Relief printing can utilise a variety of materials, including paper, as well as other materials such as fabric and ceramics.
This class will provide students with an introduction to this versatile technique by exploring three main types of relief printmaking: woodcut, linocut and collagraph. We will make multiple prints from a single plate as well as single, unique images called monoprints. Students will use a small printing press and will learn how to hand-print.
Materials
All required materials and tools will be provided.
About Joel
Joel Feldman grew up in Washington, DC, and received his academic art training in America. He taught art in the UK and at several American universities, most recently Southern Illinois University in Carbondale, where he was the head of the Printmaking Department, and at the University of Kentucky in Lexington, where he taught various courses, including many in drawing. He has exhibited internationally and is primarily known for his large-scale woodcuts, though he has worked across many forms of printmaking, photography, sculpture, and installation. Over the past decade, he has been working mainly with pen and ink drawing in conjunction with collage and wash techniques.